The tide being right for jaw-jaw at Carlandcheek.

 VHF proved useful to get Phil and Mike to take a breather at...

 ...the caves and waterfall of Carlandcheek near the Heads of Ayr.

There is a break in the volcanic rocks that predominate on this coast.

 Weathered sandstone cliffs rise steeply from the beach.

 At full spring tide you can't land here. At low water, a reef prevents landing.

We took the opportunity of the tide being right to take second luncheon and sample some 10 year old Jura followed by a 12 year old Glenfiddich. We then spent a pleasant post prandial jaw-jaw on the beach at Carlandcheek. We revelled in our healthy, athletic lifestyle.

How not to get your sheets in a twist.

We emerged from Dunure feeling refreshed and ready to face the afternoon.

A cracking breeze awaited us but David and I fell a bit behind as he had gybed the sail round the mast when he pulled the kayak up at Dunure and now his sheet was wrapped round the mast causing his sail to flap uselessly.

Phil and Mike paddled like demons and with the wind in their sails, they...

...disappeared over the horizon leaving David (with his sheets now untwisted),...
 

...Jim and I in their wakes.

The wise men of Dunure.

A long finger of rock projected from the Carrick coast.

It seemed to have a magnetic attraction for David and Mike and guided them straight into Dunure Harbour.

The boys tumbled into the remains of the village Nativity scene but it proved not to have a licence and so...

...David, being that wisest of men, led the way round the corner.

Group control on the Clyde...

 Coming out of Carrick Cove...

...all the kayak sailors were now shipshape, Kayak Skippy's boom was now rigged in a more efficient, Northern Hemisphere orientation.

 At first our intention was to hug the coast below Culzean Castle...

...but we succumbed to the temptation of heading well offshore where the wind...

 ...was both stronger and steadier.

The kayak sailors drew steadily ahead...

..leaving Jim (in the sail-less Taran) and I in their wakes. I stayed with Jim by "tacking" downwind (broad reaching on alternate tacks) behind him.

Conventional sea kayakers will by now be horrified by our group control... all I can say in our defence is: "Kayak Skippy, Kayak Skippy, Kayak Skippy, this is Kayak Sula" and... we all knew where we were going... the pub at Dunure!

Watching the birdie at Turnberry.

As we set off the wind was blowing at an average of 12 knots gusting to 22.5 knots. The METAR from Prestwick Airport showed the wind averaged 10 to 13 knots all day. Generally Dunure is about 1 windforce greater than Prestwick. 

The latest member of our team to get a Flat Earth sail is Mike.

He looked ever so pleased with his new sail as we headed out from the shelter of...

... Turnberry Point with its famous golf course and lighthouse. Phil was also looking pleased till he noticed that he had put his boom on upside down!

 Still it was an excuse to take a detour past the reefs of Barwin Point and land at Carrick Cove.

Jim in the Taran was catching plenty waves but was already finding it hot work keeping up with the sails. Still, he was getting in training for some sea kayak races later in the year.

 Mike was still beaming about his new found toy as...

...we took a break on the sands while Phil fixed his boom.

How do you get your boat to the water?

As the youngster in our little team, Jim casually slung his kayak on his shoulder and made his way stylishly down the Maidens beach...

 ...David (who has seen a few more pints of Guinness than Jim) uses a trolley but he would have made more rapid progress, if he had sheeted his sail in.

Phil says you really can't beat a trolley at Spring low water.

As for me, I am no longer in that invincible state of the first flush of youth so trollies are a necessity, my knees just ache watching Jim!

PS James from Australia has sent me photos of a very interesting alternative to strap on trolleys. See his comment below.

Thanks James. :o)

Adobe Lightroom 4 review

Being a photo blogger, I often get asked if my photos are "Photoshopped". Well, when I started digital photography I did use Photoshop on a Windows PC. However, when I got a DSLR that produced RAW files, I found I ended up doubling my file storage, as I would have the original RAW file and an equally large edited .psd file from Photoshop. Also Photoshop is not good at cataloguing or viewing files and I never really got along with the Adobe Bridge file manager viewer that works with Photoshop. So I moved to Lightroom 2 as it is a file manager, viewer editor and printer; all in one. As you edit a RAW file, it just saves a small "recipe" of your changes alongside the RAW file so is much more efficient in terms of file storage space. It is also very fast at browsing files and finding catalogued files.

People also ask if I need to heavily edit the photo files you see on this site. The answer is no and I find that Lightroom has more than enough tools to do the job. So I happily upgraded to Lightroom 3, when it came out.

Mostly I just straighten the horizon, sometimes I crop into 16:9 widescreen format like here, to cut out excess sky and sea from landscapes. Also, I use an HD projector at my sea kayaking talks and it uses 1920x1080 pixels. When I am exporting resized photos for the web or slide shows, Lightroom is very good because it will allow batch resizing to the longest edge, if you want portrait and landscape shots to be the same area, or to a fixed edge e.g. vertical edge. This is great if I am preparing a mixed group of landscapes and portrait shots for projection, I will just resize them all to 1080 pixels on the vertical edge to get best results.

Lightroom also has a built in database of the common faults (eg vignetting, barrel/pin cushion distortion) of a wide range of lenses. It has a tool that when ticked will automatically "correct" a photo using the lens data in the EXIF header. I use this a lot with my Canon L lenses.

Other edits I do will usually involve exposure corrections. Either the overall exposure or more commonly recovering detail in the shadows and highlights. Lastly, in landscapes, especially if in blueish hazy conditions, I will sometimes either boost the clarity control or reduce the blue luminance to improve distant detail.

Lightroom 4 has just been released and I am pleased to say that in addition to a price cut, the RAW conversion engine has been updated and the editing controls for shadow and highlight are now more intuitive to use and certainly on the few comparisons I have made with Lightroom 3, the algorithm used seems to produce better results. These are probably the two most useful tools in Lightroom and I am pleased to see improvement. Lightroom 4 allows you to choose whether to convert any of your previously edited Lightroom 3 work to the new RAW conversion engine. You can still work with the old version and tools in Lightroom 4 but if you convert to the new expect to have to make some adjustments.

A major reason I upgraded to Lightroom 4 was the inclusion of reverse geo-tagging. Most of my cameras don't have a built in GPS and the one that does takes so long to get a fix that I have generally taken the photo and switched the camera off before it knows where it is. Previous versions of Lightroom have been unable to import my navigation GPS's gpx file and to tag the photo files with their position in the files' EXIF metadata. I used a separate program called GPicSync to do this but that freeware program took ages to open all the RAW files, so I only used it with small .jpg files I had exported.

Now Lightroom 4 has an extra map screen which allows you to import your GPS unit's .gpx file and very quickly autotag all (or selected) photos with their position. You do need to ensure that the camera is set to the right time so that it is correctly synchronised with the GPS unit's time (which the GPS will get from the satellites). If you forget to do this there is a handy time zone offset slider that will also allow you to compensate if your camera is a few minutes late or fast. This is a great addition to Lightroom, which has speeded my workflow.

All in all, Lightroom 4 has some welcome major improvements, which have made it a worthwhile upgrade for me. If you are not using Lightroom and are still using Photoshop or similar, then do yourself a favour, get yourself a copy of Lightroom 4 now! It is a really excellent program that will greatly enhance your workflow, when you get back from a photo shoot. You will end up with more time to compose and take photos rather than fiddling with them afterwards!

Lightroom 4 is available for Windows PCs and Macs for £103.88 (Upgrade £59.09) free trial available.

Note for Mac users.
Since 1984, I have been ambidextrous, using primarily PCs for home use but using both PCs and Macs at work. Before I retired, I was able to compare Lightroom 3 and Aperture on a well specified Mac Pro (with a Quad-Core processor) using my Canon 5D mk2 RAW files. I found Lightroom 3 to be faster at file handling and previewing and it also has a much more powerful set of editing tools. Lightroom and Aperture use different RAW conversion engines. On my Canon files, the Lightroom converted RAW files look a littler flatter and more natural than the Aperture converted files that look brighter and more contrasty. Some people prefer one over the other. Both programs allow you to adjust the end result anyway but I found that the Lightroom tools work better on my photos. (I found Aperture was less easy to tone down, than Lightroom was to brighten up.)

Given Lightroom's range of effective tools, I think Aperture users would end up using Photoshop much more than Mac Lightroom users. (I hardly use Photoshop since I started using Lightroom.) Aperture also handles the files a different way, wrapping everything into a single database file. Aperture maintains a separate catalogue from the files. I guess that most people brought up on Macs would prefer the Aperture approach but ambidextrous and recent PC converts to Mac probably prefer the greater file control of Lightroom and might not like committing all their photos to a single large file on a (mortal) hard disk's allocation mapping table. (I am still smarting from how little control I have over photo handling in my iPad2, so perhaps I have a slightly jaundiced view of this.) Making the right choice, first time, is important because after you have used one or the other program for any length of time, you will have a lot of cataloguing and editing that you will not be able to transfer. It's a bit like camera systems, once you have bought into Canon or Nikon...

Anyway I recommend that Mac users should also try Lightroom 4 for themselves, it is a great program and it is available as a free trial download for Macs.